This season, our vast emporium of unique and wonderful treasures and designs from all over the world celebrates its heritage and eclectic collections in the form of a special keepsake. ‘Liberty: British Colour Pattern‘ is a lavishly illustrated book that takes a look into the vaults and archives of our great store and explores the history of our remarkable range of products and prints. Including previously unseen photographs of pieces buried deep in our extensive archive, the book features 135 years of Liberty’s most iconic and groundbreaking textile prints, as well as its collaborations with contemporary artists, fashion designers and illustrators.
Head of Design for the Liberty Design Studio, Emma Mawston, was one of the contributors to the book. We caught up with her to find out how she helped the publishers and authors gather content from the archives and the Design Studio to retell the history of Liberty print.
“This is a historic album of pattern and design for all those who treasure anything artistic and inspiring – especially those who love Liberty. I found the early parts of the book fascinating and learnt wondrous things about Liberty that I was unaware of. It is a work of art to be read over and over again, and each time you pick up on something that you may have missed in previous perusal.
On pages 68 to 87 you’ll find my fashion fabrics. We started with hand printed colourways found in my attic, complete with peeling off paint (as we often painted over and over colourways to achieve the desired colour combination). We became masters of colour mixing and discovered which tints mixed best with which. Purple lake was a great base colour. I delved back fifteen years to pull out past collections to give an insight into the brief surrounding each. The most important and relevant collections which most represented each concept were then chosen to be published.
The first collaborator I worked with was Grayson Perry for autumn/ winter 2009, and I can’t think of a more amazing artist to have worked with. Not only did Grayson come up with amazing designs never seen before at Liberty or anywhere else, he also worked each design into perfect repeat by hand. The majority of textile designers struggle to do this. It is very fitting that two pages of the book are dedicated to Grayson where readers can view his sketches of original artworks for the prints Cranford, Sissy and Flo, which are usually only accessible to Liberty and high end customers. Since then we have worked with the most amazing collaborators, not all mentioned in this book but all contributing to the look and ethos of Liberty Art Fabrics.
Just about every designer who has worked within the Liberty Art Fabrics Design Studio has a least one design within the ‘New Direction’ section, representing the diversity of print within this era. We are lucky to be able to draw and research in the most relevant way for each collection, creating original prints from hand drawn artwork.”
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