Liberty Archive: Pereira from the Wild Flowers collection

Tuesday 4th November 2014, 14.06



Indian Chintz

We take a look at one of our favourite fabric prints from this season’s Wild Flowers collection. What projects have you made with this print? Share them with us on InstagramTwitter and Pinterest using #SewLiberty
The inspiration behind the print Pereira was taken from a Liberty print impression book from the early 1900s and was selected due to its affinity with the oriental carpets in the Burrell Collection. The original archive design was called ‘Indian Chintz’ and later renamed to ‘Germains’ when it was printed again in the 60’s. The earliest version was block printed and also created as a scarf motif on silk. Pereira is made up of nine colours and printed onto a dyed ground. It’s also printed on various bases including tana lawn, saville poplin, tana crepe and jersey.

Pereira Wild Flowers

Fallen for this floral beauty? Shop across our various fabric bases or add a Pereira post it note to your work desk.


Make this: Liberty print sweatshirt with designer Keighley

Friday 24th October 2014, 11.59



Keighley's Wild Flowers fleece jumper

You may remember that earlier on in the year we caught up with Keighley, one of our talented print designers and we took a glance into what she makes in her spare time. Whilst working on designing Liberty prints in the week, Keighley makes a range of garments in her spare time which are always in awe of those at Liberty Headquarters!

Why did you choose the Wild Flowers print?

“I chose Wild Flowers because it’s beautiful! I also created and coloured the design from the artwork we received from Su Blackwell, it was really lovely to work on and its so nice being able to wear a print that I’ve helped to create.”

What inspires you to create new garments in your spare time?

“Being in the studio and always being surrounded by gorgeous designs makes you want to go home to make things with it all! Especially when we introduce new fabric bases such as the fleece, it makes it more exciting to see what you can create from them.”

What are your 3 favourite fleece prints from the new collection?

“I love Wild Flowers of course. I also love Eleonora (which is named after our lovely archive assistant) and Wiltshire- a beautiful classic design that looks so cute on fleece.”



Keighley offers some top tips on how to make a snug sweatshirt from the Linford fleece fabric, perfect to keep warm in the winter chill. Learn how to make your own sweatshirt in less than ten easy steps.

What you will need:

Chosen fleece fabric
All your regularly sewing bits and bobs

Cutting pattern pieces

Step 1: Buy/make a sample jumper pattern, I traced around an old jumper, mine is very simple. Front and back pieces are the same except the front neckline is slightly lower than the back and the sleeves are symmetrical. So both pattern pieces can be cut on the fold of the fabric. Cut two of each of the pattern pieces.
Remember to leave 1cm seam allowance which should already be on your pattern piece

Depending on the drop of the jumper, you will only need the length plus a bit extra for seam allowances as the fabric is wide, mine measured 60cm.


Step 2: Pin pattern to fabric, cut 2 x front/back and 2 x sleeves.

Sewing pattern pieces

Step 3: Sew back and front side and shoulder seams together, with the jumper inside out.

Step 4: Sew down the sides of the sleeves, again inside out. You can finish the seams at this point with a finished stitch if you prefer to, but this fleece doesn’t fray so you don’t have to.

Sewing seams

Step 5: Sew the sleeves onto the armholes, whilst both pieces are inside out.

Step 6: Hem the neckline.

Step 7: Choose how you would like to finish your sweatshirt. Fold over the sleeves twice to give a cute contrasting colour at the edge, or you can hem them.

Step 8: You can either leave the edge to roll for a sporty look or hem for a neater finish.

Step 9: Iron all the seams and hems flat. Your jumper is now finished and ready to snuggle into for the cold winter months.

Finished sweatshirt

Follow Keighley on Twitter @Liberty_Prints


How to make: Charise creates a citrus pouch

Thursday 23rd October 2014, 11.23




Charise Randell returns again, this time to show us how to make a citrus pouch. Are you thinking ahead towards Christmas gifts and stocking fillers or just looking for a sewing project?  Charise has made this playful citrus pouch, keep your sewing bits and pieces inside or use it as a make-up bag or even a pencil case.

Choose a zesty colour palette from our Liberty print fabric collection and follow the step-by-step tutorial to make your own pouch.

Charise creates

What you will need:

Fabric based on 44” (112cm) wide goods:

1/4 yard (23cm) print Shell fabric – Light Color Wedges

1/4 yard (23cm) print shell fabric – Dark Color Wedges and Lining

1/4 yard (23cm) solid fabric – Border and zipper tabs


Interfacing based on 20”50cm wide goods:

1/3 yard (30cm) fusible fleece

1/3 yard (30cm) light weight interfacing


Other supplies:

Matching thread

Water soluble pen or pencil

Zipper foot

Press cloth

9” (23cm) coil zipper

Spray starch


Finished size:

9 1/2” (24cm) wide x 5” (12.70cm) tall



All seam allowances are 3/8” (0.95cm) unless otherwise noted.

If your zipper has any creases, place a press cloth on your zipper, teeth side down and iron on medium heat.


Start cutting:

Shell Fabric:

Light Print – 8 wedges 3 1/2” (8.90cm) wide x 5 1/4” (13.40cm) tall

Dark Print – 6 wedges 3 1/2” (8.90cm) wide x 5 1/4” (13.40cm) tall, 2 each lining

Solid Fabric:

2 each - 3 1/2” (8.90cm) x 1 ¼” (3.18cm) zipper tabs

2 each of the border


Cut 2 of each lining


From the Fusible Fleece:

Cut 2 of each lining


Get started:

Step 1: Following the manufacturer instructions, fuse the fleece to the wrong side of the lining panels.

Sewing the outside panels

Download the pouch pattern here.

Step 2: Print out or trace the wedge pattern twice onto light weight copy paper or vellum and cut out the pattern.

Piecing together first segments

Step 3: Place one of your light print triangle fabric pieces on the wrong (unprinted side) of the pattern (A1) making sure to cover the entire section. The fabric right side will be facing you. Make sure there is at least 3/8” (0.95cm) fabric around the perimeter of the section and the fabric reaches the edge of the seam allowance. Hold the paper up to the light to help position the fabric. Pin in place.

Step 4: Flip the pattern over and fold back the paper pattern on the line between A1 and A2 and trim to 1/4″( 0.64cm) beyond the line. This is your seam allowance.

Step 5: Place the adjacent fabric piece, A2 right sides together with A1 matching raw edges. Pin in place.

Paper piecing

Step 6: Flip the pattern over so the printed side of the pattern is facing you. Stitch on the first line between A1 and A2. Start at the top seam intersection, back tack and proceed to the outside edge stitching to the edge of the pattern. Finger press the seam.

Sewn segments

Step 7: Repeat steps #3 – #6 until all fabric pieces are sewn to the pattern.

Step 8: Trim around the pattern piece and remove the paper backing.

Step 9: Repeat for the other side of the pouch.

Step 10: Fold the border piece in half and mark the center bottom with a crease. Match the top edge to the center crease, fold in half and crease again.

Fold the main pouch panel in half and mark the center bottom with a crease. Match the top edge to the center crease, fold in half and crease again. You will have three creases on each panel and border.

Adding the border

Step 11: Place the border with the pouch panel right sides together matching the bottom crease. Pin in place.

Match the first crease, pin in place. Match the third crease, pin in place.

Match the two top edges and pin in place.

Step 12: Stitch the border to the pouch panel with the wrong side of the border facing you. Gently stretch the border as you are sewing to ease the border on to the pouch panel.

Step 13: Press the border towards the pouch panel. Apply spray starch to help remove any wrinkles.

Step 14: Fuse the light weight interfacing to the back of the panel following manufacturer directions.


Attaching the zipper

Step 15: Measure the zipper and trim to 10 1/2” including zipper tape.

Fold under the ends of the 3 1/2” 8.90cm)x 1 ¼” (3.18cm) pieces 1/4” (0.64cm) on the 1 ¼” (3.18cm) side. Press. Press in half wrong sides together.

Butt the end of the zipper to the fold on the tab. Pin in place. Stitch the folded edge with an edge stitch.

Repeat for the other side. Cut the folded edge and trim the zipper to ¼” (0.64cm) beyond the fabric ends. Repeat for the other side.

Putting in the zip

Step 16: Place zipper face down on the right side of the Clutch Panel 1/8” (0.32cm) from top edge and Pin in place.

Step 17: Using a zipper foot, stitch 1/8” (0.32cm) with a 3/8” (0.95cm) seam allowance from zipper coils, starting and stopping 3/8” (0.95cm) from edge, back tacking at ends.

Adding the lining

Step 18: Place the lining right sides with the right side of the clutch panel. The zipper will be sandwiched in between the clutch panel and the lining. Pin lining in place along top edge. Flip the lining panel over so the outside panel, wrong side, is facing you. Stitch the top edge, following the stitching that attaches the zipper to the outside panel.

Step 19: Turn the lining over the zipper. The wrong side of clutch panel will be facing the wrong side of the lining. Press both panels away from the zipper. Edge stitch along the top edge, start at the edge of the border, just shy of the center and back tack. Start stitching again just shy of the center to the beginning of the border on the opposite side.

Step 20: Repeat #17-#20 for the other side.


Finishing the pouch

Step 21: Separate the lining from the clutch panels. Place the clutch panels right sides together matching the raw edges. Fold the lining out of the way toward the center of the panel and pin.

Make sure the zipper is open so you can turn right side out at the end.

Stitch 3/8” (0.95cm) from the edge starting at the top folded edge of the zipper. Clip small triangles on curved corners being careful not to clip into the stitching.

Press seam open.

Finishing off

Step 22: Unpin the lining panels at each end of the zipper. Place the lining right sides together, matching notches at bottom, pin around perimeter. Starting just below the zipper, stitch 3/8” (0.95cm) from edge, leaving a 4” (10.16cm) opening at the bottom for turning. Clip small triangles on curved corners being careful not to clip into the stitching. Press seam open.

Step 23: Turn right side out and press. Use a point turner tool or other small diameter blunt object to push out the top corners at the end of each zipper. Slip stitch or machine edge stitch opening in lining closed.

Charise creates citrus pouch

Follow Charise on Twitter @Charise_Randell


We find out more about Amy’s creative side

Friday 10th October 2014, 16.47


Amy Ellis

Amy Ellis makes her love for quilting her creative therapy, designing quilts, some of which almost play tricks with your eyes and create an optical illusion! Whilst working on copious projects and drafting up new designs for her books. Amy is often  inspired by  fellow bloggers which she features weekly on her blog. She champions the importance of being a part of the online sewing community by holding a bloggers quilt festival twice a year. We catch up with Amy to find out more and she offers for some tips for budding authors.


Tell us about yourself?

I’m a wife and mum to four great kids. They keep me busy after school with sports and school clubs, but while they are away at school each day, I happily write, design, quilt and sew. Currently my days are full of deadlines and travel dates, but I love a challenge, and always look forward to connecting with quilters!

When did you start sewing and quilting?

I learnt to sew garments as a girl, and have loved fabric as long as I can remember! Then when I became a mum, I taught myself to piece quilts, and have been loving the creative therapy ever since!

How long have you been blogging and how do you think the internet and the online community effects the projects that people sew?

I’ve been blogging for six and a half years, which is hard to believe, but I have definitely seen how creative energies can flow around the online community. It seems we often subconsciously process the images and information that our brains collect, and can come to similar designs for quilts and clothing. There’s always a bit of a desire to do more and sew more when we are looking online too, there’s a natural drive to have something to share with friends.

You set up the Bloggers Quilt Festivaltell us more about it and how it works?

Blogger’s Quilt Festival is a place for all quilters to share their work with fellow quilters. I started it, as much for myself as anyone else, I didn’t have the option to travel when my kids were younger to take in shows, and the online community is far reaching. Twice a year, quilters from around the world post on their blogs, and share the link on my blog, then they can spend hours looking through the hundreds of entries, making friends and gathering inspiration for their next quilt. The next installment of Blogger’s Quilt Festival begins October 24th, and everyone is welcome to join!

Being an author of lots of quilt books, what words of advice would you offer budding bloggers and sewers who would like to write their own book?

You can do it! Take the time to blog often, and develop your voice as an author, and designer. This will give you the authority you need to take on the proposal process, and own the ideas that you have for your book. I have found that I have to make things happen for myself, instead of waiting for the opportunity to land in my lap. It never hurts to ask!

Do you have any new and exciting projects coming up that you can share with us?

My first fabric line, Modern Neutrals, is shipping to stores in October, and I have a collection of quilt patterns to accompany those. I’m very excited to see what people make with those fabrics. And in December my next book releases – it’s called Think Big, and features 18”quilt blocks in any size project that the reader wants to make!

Follow Amy on Twitter @amyscreativeside


Get Creative: Liberty Gifts

Saturday 4th October 2014, 16.46



This year, Get creative at Liberty has a whole range of customisable Liberty print accessories, ideal for gifts or adding a personal touch to your own collection.

Virginia Ben

Iphis customising with Virgina Ben
If you’re yet to invest in a piece from the Liberty London iphis collection, make sure you place an order this weekend for the chance to have it customised by the brilliant Virgina Ben. Monogramming will be on offer, as well as the chance to commission a totally unique, painted piece.

Liberty print stationery monogramming
Make sure your note-taking is up to scratch with a personalised notebook or journal. These smart leather pieces are only enhanced with gold or silver-stamped lettering. An ideal seasonal gift for those shopping ahead, or simply the best way to make an impeccable first impression in the boardroom.

Liberty Bracelets

Flowers of Liberty charm bracelets
These pretty bracelets are a must-have at the best of times, but lucky customers at the event on Friday had the chance to add a Nadia Minkoff charm or two. Shoppers chose from crystals and quirky charms to create the perfect gift or colourful addition to a bracelet stack. If you missed out on Friday, don’t forget you can shop the collection of Flowers of Liberty bracelets online.

current elliott

Current/Elliott patchwork denim
If you’ve ever had the urge to jazz up your old denim (or invest in a totally unique new pair) then this is the event for you. Talented seamstresses from Sew Over It will be in residence all weekend in-store on the 1st floor to add monogramming and Liberty print patchwork to your Current/Elliott jeans. A brilliant way to give your wardrobe a timely pick-me-up.

If you’re coming down to Get Creative share your purchases and personalised creations @LibertyLondon using #GetCreative